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7 thoughts on “ The Queen Is Dead - The Smiths - The Sound Of The Smiths

  1. The Smiths famously posed in front of Salford Lads Club for the inner sleeve of The Queen Is Dead; this is one of the other photos from that session. From left to right: Johnny Marr, Morrissey, Andy Rourke and Mike Joyce.
  2. The Queen Is Dead: "Bigmouth Strikes Again" Single a-side/The Queen Is Dead: "There Is a Light That Never Goes Out" The Queen Is Dead: "Panic" Single a-side: "Ask" (Album Version) Louder Than Bombs: "You Just Haven't Earned It Yet, Baby" (U.S. Mix) Louder Than Bombs: "Shoplifters of the World Unite" Single a-side: Genre: Alternative rock, indie rock, indie pop, post-punk.
  3. Listen to The Smiths | SoundCloud is an audio platform that lets you listen to what you love and share the sounds you create.. Tracks. Followers. Stream Tracks and Playlists from The Smiths on your desktop or mobile device.
  4. Jul 08,  · The Queen is Dead is a song performed by the English rock band The Smiths. Lyrically, the song severely attacks Queen Elizabeth II and the entire British royal family. Lyrically, the song severely attacks Queen Elizabeth II and the entire British royal family.
  5. The Queen Is Dead was the fourth album released by Manchester band, The Smiths, and is believed by many to be the best thing that this incredibly influential band ever recorded. The Smiths have a trademark sound of Jonny Marr's ability to write wonderfully catchy pop songs, while Morrissey sings his typically cynically mournful, but yet humourous lyrics, in a manner that showcases his wit and intelligence/5.
  6. Aug 30,  · Discover releases, reviews, credits, songs, and more about The Smiths - The Sound Of The Smiths at Discogs. Complete your The Smiths collection/5().
  7. EDITORS’ NOTES. For their third studio album, The Smiths subtly expanded their sound for the epic structure of the title track. While still at their best as a singles act, the band could also pull off a cohesive, flowing album and The Queen is Dead remains the band’s most dramatic one, addressing Morrissey’s concerns with everything from stardom.

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